Pursuit Of Death (Aired September 18, 1948)


Michael Shayne was a fictional sleuth created by Brett Halliday (a pen name for author Davis Dresser) who was first initiated into the fraternity for detectives in the 1939 novel "Dividend of Death". Dresser based the character on a “tall and rangy” brawler who once saved his life during a braw in a Mexican cantina. The Shayne character would go on to appear in 69 novels, plus a long-running mystery magazine—and in 1941, was brought to the silver screen in Paramount’s Michael Shayne, Private Detective, an adaptation of Dividend of Death that starred Lloyd Nolan, and paved the way for six additional B-mysteries to follow. The New Adventures of Michael Shayne—premiered on July 15, 1948 starring Jeff Chandler.

Murder On TheTrain (Aired October 8, 1944)


Based on the character created by Phoebe Atwood Taylor (under the pseudonym Alice Tilton) and starring Walter Hampden in the title role, The Adventures of Leonidas Witherall is an old time radio detective series with an unusual protagonist. He is the head of a distinguished New England boy's school and is best known for his remarkable resemblance to William Shakespeare! If that isn't enough, Witherall is also an accomplished author, penning the "popular Lieutenant Hazeltine stories". He always gets mixed up in murder, solving crimes with his good friend Mrs. Mullet, the neighborhood housekeeper, played by Ethel Remey.

Back From New York (Aired April 4, 1937)


The Jack Benny Program is a classic comedy that is truly one of the best-loved programs from the Golden Age of Radio. It started life as The Canada Dry Program in 1932 on the Blue Network and finished off as The Lucky Strike Program on CBS in 1955. In between, it kept the audience in stitches and established Benny as one of America's all-time great comedians.

Random Harvest (Aired January 7, 1945)


Matinee Theater represented a serious attempt by CBS to provide quality dramatic programming for its Sunday afternoon listeners. A continuation of the series Dangerously Yours, it was renamed Matinee Theater with a view towards presenting "a greater range of stories". That broader scope was able to accommodate such episodes as "Beautiful Dreamer" (the Stephen Foster story) and "The Love Story of Elizabeth Barrett and Robert Browning". Victor Jory and several different female stars paired to bring classics like "Wuthering Heights", "Jane Eyre", and "The Scarlet Pimpernel" to the audience.

THIS EPISODE
January 7, 1945. CBS net. "Random Harvest". Sponsored by: Vicks. A British veteran with amnesia finds romance and a new life as a writer. Victor Jory has trouble reading his lines twenty minutes into the program. Victor Jory, Gertrude Warner, James Hilton (author), Martin Gabel, Jean Holloway (adaptor), Mark Warnow (music director), Richard Sanville (director). 29:45.

The Fatal Chain (Aired November 9, 1948)


Big Town is a radio show that aired from 1937 to 1952. Edward G. Robinson had the lead role of Steve Wilson from 1937 to 1942. Claire Trevor was Wilson's society editor sidekick Lorelei Kilbourne, with Ona Munson taking over that role in 1940. Edward J. Pawley portrayed Wilson from 1942 until 1952 when Walter Greaza was heard as Wilson in the final episodes in the radio series. When Big Town moved to television, the program was telecast live, but in 1952 the production switched to film after the move from New York City to Hollywood. The television series ran on CBS from 1950 through 1954, continuing on NBC from 1955 through 1956. Repeat episodes aired on the DuMont Network (under the title City Assignment) while Big Town was still showing first-run episodes on CBS. Reruns were also shown under the titles Heart of the City, Headline and Byline Steve Wilson.

The Sad Night (Aired December 19, 1948)


Box 13 was a syndicated radio series about the escapades of mystery novelist Dan Holiday (Alan Ladd), a former newsman. Created by Mayfair Productions, the series premiered August 22, 1948, on New York's WOR and aired in syndication on the East Coast from August 22, 1948, to August 14. 1949. On the West Coast, Box 13 was heard from March 15, 1948 to March 7, 1949. To seek out new ideas for his fiction, Holiday ran a classified ad in the Star-Times newspaper. "Adventure wanted, will go anywhere, do anything -- Box 13." The stories followed Holiday's adventures when he responded to the letters sent to him by such people as a psycho killer and various victims.

Vacant Lot Murder Case (Aired July 27, 1951)


By the 1940's, Frank and Ann Hummert controlled four and a half hours of national weekday broadcast schedules. Their features reportedly spawned more that 5 million pieces of correspondence annually from steadfast fans. Simultaneously they brought in more than half of the national radio chain's advertising revenues generated during the daylight hours. The couple broadcast 18 quarter-hour serials five times weekly, a total of 90 original episodes for 52 weeks per year, with none of those ever repeated. Some shows were "Amanda of Honeymoon Hill", "Backstage Wife","Chaplin Jim USA", "David Harum", "Easy Aces", "Front Page Farrell", "John's Other Wife", "Just Plain Bill", "The Life of Mary Sothern","Lora Lawton", "Lorenzo Jones", "Ma Perkins", "Mrs Wiggs of the Cabbage Patch", "Our Gal Sunday", "The Romance of Helen Trent" and "Young Widder Brown".

Dixie Gilian (Aired November 24, 1946)


Pat Novak, For Hire – 1949-1950
Pat Novak, played by Jack Webb, was a private detective working out of Pier 19, a waterfront office in San Francisco. The stories were always very similar: Someone would hire him, (if not a beautiful woman, the job would lead to a beautiful woman) someone would get murdered, he would investigate the case, get beaten up by the thugs, and then the case would be solved and end with glorious violence. The closing was always the same; the listener would be told who had done what, to whom and why they had done it.

Mad Monkton (Aired November 5, 1944)


THE WEIRD CIRCLE was a syndicated series that was heard on Mutual
stations November, 1943 through October, 1947 and very briefly in
September/October of 1947 on ABC. The show presented 30 minute tales of horror, frequently inspired by classic horror or ghost stories, frequently done by French authors. It opened with the sound of the surf and the chant-like opening, "In this cave by the restless sea, we are met to call from out of past, stories strange and weird. Bell keeper, toll the bell, so that all may know that we are gathered again in the Weird Circle".

THIS EPISODE:
The Weird Circle. April 13, 1945. Program #49. NBC syndication. "Mad Monkton". Commercials added locally. An excellent ghost story. Ancient prophesy and the unburied dead. Wilkie Collins (author). 26:00.

The Iron Man (Aired July 29, 1949)


Philip Morris invested heavily in radio advertising throughout the 1930s and ‘40s, often having two weekly programs on competing networks. The first, a variety show that ran for twelve seasons (1934-47) and combined musical and dramatic elements, was called Johnny Presents, essentially giving Roventini "top billing" above all the big name guests that appeared on the broadcasts. The cigarette company also sponsored Philip Morris Playhouse, a dramatic anthology series that lasted 14 seasons (1939-53), finally switching to television.

THIS EPISODE:
July 29, 1949. CBS net. "The Ironman". Sponsored by: Philip Morris, Revelation Pipe tobacco. The three owners of a failing New York bar decide to do in a barfly after taking out an insurance policy on his life. This is not as easy as it sounds. A well done production of a classic story. William Spier (director, producer, editor), Sidney Miller, Jerry Hausner, Joseph Kearns, John Holbrook (announcer), Harold Swanton (writer), Lud Gluskin (music director), Art Ballinger (announcer), James Matthews. 29:35

The Insurance Policy (Aired February 11, 1958)


Hancock's Half-Hour is the yardstick against which all subsequent British sitcoms have been measured, the vast majority failing to size up to its extremely high standards. Based on his famous radio show of the same name, the TV run consolidated Tony Hancock's standing as Britain's leading comic of the day, the entertainer providing ample proof that his wonderfully flexible face could be as expressive as his dextrous radio voice. Tony Hancock was at the height of his powers during the late 1950s, squeezing every comic ounce out of his lines, pulling off perfectly judged pauses and demonstrating a sense of timing to match the great Jack Benny's. His character - Anthony Aloysius St John Hancock - was invariably a loser, whose aspirations and plans were dashed by fate, circumstance, Sid James or, more often than not, his own pomposity or unfettered ambition.

Pam Goes It Alone (Aired August 2, 1944)


Mr. and Mrs. North are fictional American amateur detectives. Created by Frances and Richard Lockridge, the couple were featured in a series of twenty-six Mr. and Mrs. North novels, a Broadway play, a motion picture, and several different radio and television series. Mr. and Mrs. North was a radio mystery series that aired on CBS from 1942 to 1954. Alice Frost and Joseph Curtin had the title roles when the series began in 1942. Publisher Jerry North and his wife Pam lived in Greenwich Village at 24 St. Anne's Flat. They were not professional detectives but simply an ordinary couple who stumbled across a murder or two every week for 12 years. The radio program eventually reached nearly 20 million listeners. The characters originated in 1930s vignettes written by Richard Lockridge for the New York Sun, and he brought them back for short stories in The New Yorker. These stories were collected in Mr. and Mrs. North (1936). Lockridge increased the readership after he teamed with his wife Frances on a novel, The Norths Meet Murder (1940), launching a series of 26 novels, including Death takes a Bow, Death on the Aisle and The Dishonest Murderer. Their long-run series continued for over two decades and came to an end in 1963 with the death of Frances Lockridge.

The Prairie Dog (Aired March 12, 1951)


Let George Do It was a radio drama series produced by Owen and Pauline Vinson from 1946 to 1954. It starred Bob Bailey as detective-for-hire George Valentine (with Olan Soule stepping into the role in 1954). Clients came to Valentine's office after reading a newspaper carrying his classified ad: "Personal notice: Danger's my stock in trade. If the job's too tough for you to handle, you've got a job for me. George Valentine." Valentine's secretary was Claire Brooks, aka Brooksie (Frances Robinson, Virginia Gregg, Lillian Buyeff). As Valentine made his rounds in search of the bad guys, he usually encounted Brooksie's kid brother, Sonny (Eddie Firestone), Lieutenant Riley (Wally Maher) and elevator man Caleb (Joseph Kearns). Sponsored by Standard Oil, the program was broadcast on the West Coast Mutual Broadcasting System from October 18, 1946 to September 27, 1954, first on Friday evenings and then on Mondays. In its last season, transcriptions were aired in New York, Wednesdays at 9:30pm, from January 20, 1954 to January 12, 1955. John Hiestand was the program's announcer. Don Clark directed the scripts by David Victor and Jackson Gillis. The background music was supplied by Eddie Dunstedter on the organ.

Fire In The Sky (Aired August 28, 1951)


Written and directed by Robert A. Arthur and David Kogan, the series began on the Mutual Broadcasting System, December 5, 1943, continuing in many different timeslots until September 16, 1952. Unlike many other shows of the era, The Mysterious Traveler was without a sponsor for its entire run. The lonely sound of a distant locomotive heralded the arrival of the malevolent narrator, portrayed by Maurice Tarplin, who introduced himself each week in the following manner: “This is the Mysterious Traveler, inviting you to join me on another journey into the strange and terrifying. I hope you will enjoy the trip, that it will thrill you a little and chill you a little. So settle back, get a good grip on your nerves and be comfortable -- if you can”!

The Criminal Mind (Aired April 27, 1947)


The Clock was a dramatic thirty-minute suspense and mystery series. It was written by Lawrence Klee and was first broadcast in November 1946. The story always began the same; “Sunrise and sunset, promise and fulfilment, birth and death … the whole drama of life is written in the sands of time”.
First Broadcast November 3rd 1946
Last Broadcast May 23rd 1948

Blood On The Sand (Aired December 13, 1945)


Rogue's Gallery came to the Mutual network on September 27, 1945 with Dick Powell portraying Richard Rogue, a private detective who invariably ended up getting knocked out each week and spending his dream time in acerbic conversation with his subconscious self, Eugor. Rogue's Gallery was, in a sense, Dick Powell's rehearsal for Richard Diamond, Private Detective. Powell played private detective Richard Rogue, who trailed luscious blondes, protected witness, and did whatever else detectives do to make a living. It was a good series, though not destined to make much of a mark. Under the capable direction of Dee Englebach and accompanied by the music of Leith Stevens, Powell floated through his lines with the help of such competents as Lou Merrill, Gerald Mohr, Gloria Blondell, Tony Barrett, and Lurene Tuttle. Peter Leeds played Rogue's friend Eugor, an obscure play on names with Eugor spelling Rogue backwards.

Secret Word Is SKY (Aired January 25, 1950)


Groucho Marx matches wits with the American public in four episodes of this classic game show. Starting on the radio in 1947, You Bet Your Life made its television debut in 1950 and aired for 11 years with Groucho as host and emcee. Sponsored rather conspicuously by the Dodge DeSoto car manufacturers, the show featured two contestants working as a team to answer questions for cash prizes. Another mainstay of these question and answer segments was the paper mache duck that would descend from the ceiling with one hundred dollars in tow whenever a player uttered the "secret word." The quiz show aspect of "You Bet Your Life" was always secondary, to the clever back-and-forth between host and contestant, which found Groucho at his funniest. It's in these interview segments that "You Bet Your Life" truly makes its mark as one of early television's greatest programs. Directed by: Robert Dwan.

Nightfall is the title of a radio drama series produced and aired by CBC Radio ( Canadian Broadcasting Corporation ) from July 1980 to June 1983. While primarily a supernatural/horror series, Nightfall featured some episodes in other genres, such as science fiction, mystery, fantasy, and human drama. One episode was even adapted from a folk song by Stan Rogers. Some of Nightfall's episodes were so terrifying that the CBC registered numerous complaints and some affiliate stations dropped it. Despite this, the series went on to become one of the most popular shows in CBC Radio history, running 100 episodes that featured a mix of original tales and adaptations of both classic and obscure short stories.

THIS EPISODE:
Nightfall. July 11, 1980. Program #2. CBC origination, NPR net, WPBH-FM, Middlefield, Conn. aircheck. "The Monkey's Paw". Sustaining. A horror tale about three wishes. The WPBH-FM rebroadcast date is January 31, 1982. W. W. Jacobs (author), Henry Ramer (host), Ruth Springford, Eric House, Chris Wiggins, Michael Wincott, Graham Haley, John Jessop (recording engineer), Bill Robinson (sound effects), Doris Buchanan, Bill Howell (producer, director), John Douglas (story editor). 29:09.

Sophie Britton Murder (Aired June 27, 1953)


Broadway Is My Beat, a radio crime drama, ran on CBS from February 27, 1949 to August 1, 1954. With music by Robert Stringer, the show originated from New York during its first three months on the air, with Anthony Ross portraying Times Square Detective Danny Clover. John Dietz directed for producer Lester Gottlieb. Beginning with the July 7, 1949 episode, the series was broadcast from Hollywood with producer Elliott Lewis directing a new cast in scripts by Morton Fine and David Friedkin. The opening theme of "I'll Take Manhattan" introduced Detective Danny Clover (now played by Larry Thor), a hardened New York City cop who worked homicide "from Times Square to Columbus Circle -- the gaudiest, the most violent, the lonesomest mile in the world."

Mans Best Friend (Aired November 26, 1943)


Amos 'n' Andy creators Gosden and Correll were white actors familiar with minstrel traditions. They met in Durham, North Carolina in 1920, and by the fall of 1925, they were performing nightly song-and-patter routines on the Chicago Tribune's station WGN. Since the Tribune syndicated Sidney Smith's popular comic strip The Gumps, which had successfully introduced the concept of daily continuity, WGN executive Ben McCanna thought the notion of a serialized drama could also work on radio. He suggested to Gosden and Correll that they adapt The Gumps to radio. They instead proposed a series about "a couple of colored characters" and borrowed certain elements of The Gumps. Their new series, Sam 'n' Henry, began January 12, 1926, fascinating radio listeners throughout the Midwest. That series became popular enough that in late 1927 Gosden and Correll requested that it be distributed to other stations on phonograph records in a "chainless chain" concept that would have been the first use of radio syndication as we know it today. When WGN rejected the idea, Gosden and Correll quit the show and the station that December. Contractually, their characters belonged to WGN, so when Gosden and Correll left WGN, they performed in personal appearances but could not use the character names from the radio show.

2 Episodes On A Wayback Moment In Time


The Man Called X was an espionage radio drama which aired on CBS and NBC from July 10, 1944 to May 20, 1952. Herbert Marshall had the lead role of Intelligence Agent Ken Thurston who took on dangerous cases in a variety of exotic locations. Gordon Jenkins Orchestra supplied the background music. Cast: Leon Belasco as Pagan Seldchmidt ANNOUNCER: Wendell Niles DIRECTOR: Jack Johnstone. Sponsors were Frigidaire and General Morors. Time slot was Thursdays 10:30 - 11:00 pm.

Operation Music Box (Aired October 5, 1951)


The Third Man (The Lives of Harry Lime) was a old-time radio adventure series that ran in 1951 and 1952. It was based on the 1949 film of the same name. Orson Welles stars as Harry Lime, a perpetually broke confidence man, smuggler, and general scoundrel. He will participate in virtually any criminal activity to make a fast buck, but uses his wits rather than a gun. He draws the line short of murder, blackmail, or drugs. Even so, Harry is an endearing character and listeners love to hear of his one-step-ahead-of-the-law misadventures as he hops around the globe looking for his next pigeon. The zither music of Anton Karas adds a wonderful Viennese ambience to each episode and really makes this show special.

Not Wanted On This Voyage (1973) *Exact Date Is Unknown


For the 1970’s late-night horror show, The Price of Fear, the BBC dramatized the most chilling stories they could find, drawing on talented new writers as well as the established master of terror who narrated tale, re-written as though Price actually experienced each chilling adventure himself. The show was enormously successful in the UK and abroad, and a number of series were made during 1973, 1975 and 1982.

Dancing With Three Men (1955) *Exact Date Is Unknown


People are Funny was a television game show that premiered and ended on NBC from 1954-1961. It was shot in the outside world and dared people to do stunts for fun for spectators. This was done to "reveal the true nature" of their guests. This show was considered a predecessor to most of the reality game shows we know today, such as "Survivor" and MTV's "Jackass." Art Linkletter was the more well-known host of the show. Viewers grew up with him, but not just on People are Funny. He was also seen on Life With Linkletter (1950-52 & 1969-70), Art Linkletter's House Party (1952-69), and The Art Linkletter Show (1963).

Spellbound (Aired March 8, 1948)


Radio’s biggest and most important dramatic program. For two decades, The Lux Radio Theater presented radio versions of movie attractions, current or coming, while the biggest names in cinema played the leading roles. The Lux Radio Theater debuted in 1934, dramatizing Broadway plays from New York. In an effort to improve ratings, the show moved West in June 1936 to capitalize on Hollywood talent and popular movie fare. Lux’s extravagant productions were a huge success. Renowned director Cecil B. DeMille—whose films were synonymous with spectacle—was brought in to host the show. Stars were routinely paid up to $5,000 to appear and over 50 actors, musicians and technicians were on hand every week for productions which ranged from "The Thin Man" to "The Jazz Singer" to "The African Queen."

Guest Danny Thomas (Aired November 9. 1951


On July 25, 1946, Jerry began a show business partnership with Dean Martin, an association that would soon skyrocket both to fame. It started when Jerry was performing at the 500 Club in Atlantic City and one of the other entertainers quit suddenly. Lewis, who had worked with Martin at the Glass Hat in New York City, suggested Dean as a replacement. At first they worked separately, but then ad-libbed together, improvising insults and jokes, squirting seltzer water, hurling bunches of celery and exuding general zaniness. In less than eighteen weeks their salaries soared from $250.00 a week to $5,000.00. For ten years Martin and Lewis sandwiched sixteen money making films between nightclub engagements, personal appearances, recording sessions, radio shows, and television bookings. Their last film together was "Hollywood or Bust" (1956). On July 25th of that year the two made their last nightclub appearance together at the Copacabana, exactly ten years to the day since they became a team.

The Stock Room (Aired February 6, 1949)


Our Miss Brooks, an American situation comedy, began as a radio hit in 1948 and migrated to television in 1952, becoming one of the earlier hits of the so-called Golden Age of Television, and making a star out of Eve Arden (1908-1990) as comely, wisecracking, but humane high school English teacher Connie Brooks. The show hooked around Connie's daily relationships with Madison High School students, colleagues, and pompous principal Osgood Conklin (Gale Gordon), not to mention favourite student Walter Denton (future television and Rambo co-star Richard Crenna, who fashioned a higher-pitched voice to play the role) and biology teacher Philip Boynton ( Jeff Chandler), the latter Connie's all-but-unrequited love interest, who saw science everywhere and little else anywhere.

The House Of Despair (Part 3 of 3) 1966


Dark Shadows is a Gothic television soap opera that originally aired weekdays on the ABC television network, from June 27, 1966 to April 2, 1971. The show was created by Dan Curtis, who tells of a dream he had in which a girl takes a long train ride to visit a large mansion. The story "bible", which was written by Art Wallace, does not mention any supernatural elements. It was considered daring (and unprecedented in daytime television) when ghosts were introduced about six months after it began. The series became hugely popular when, a year into its run, vampire Barnabas Collins, played by Jonathan Frid, appeared. In addition to vampires, Dark Shadows featured werewolves, ghosts, zombies, man-made monsters, witches, warlocks, time travel, both into the past and into the future, and a parallel universe.

Across The Pacific (Aired January 25, 1943)


The Screen Guild Theater boasted some of the greatest all-star casts ever assembled for radio. Nearly every major film star lined up to perform in Screen Guild's half-hour movie adaptations because they knew it was for a good cause: All talent fees went to the Motion Picture Country House for aging and indigent film actors.

The House Of Despair (Part 2 of 3) 1966


A small company of actors each played many roles and, as actors came and went, some characters were played by several actors. Major writers in addition to Art Wallace included Sam Hall, Gordon Russell, and Violet Welles. Dark Shadows has the distinction of being the only long-running soap to have every episode released for home video (including a reconstruction episode #1219, the videotape for which is lost), first on VHS and currently in progress on DVD.

The Big Umbrella (Aired July 3, 1949)


The Damon Runyon Theater - Broadcast from January to December 1949, "The Damon Runyon Theatre" dramatized 52 of Runyon's short stories for radio. Damon Runyon (October 4, 1884 – December 10, 1946) was a newspaperman and writer. He was best known for his short stories celebrating the world of Broadway in New York City that grew out of the Prohibition era. He spun tales of gamblers, petty thieves, actors and gangsters; few of whom go by "square" names, preferring instead to be known as "Nathan Detroit", "Big Jule", "Harry the Horse", "Good Time Charlie", "Dave the Dude", and so on. These stories were written in a very distinctive vernacular style: a mixture of formal speech and colorful slang, almost always in present tense, and always devoid of contractions.

The House Of Despair (Part 1 of 3) 1966


Dark Shadows is a Gothic television soap opera that originally aired weekdays on the ABC television network, from June 27, 1966 to April 2, 1971. The show was created by Dan Curtis, who tells of a dream he had in which a girl takes a long train ride to visit a large mansion. The story "bible", which was written by Art Wallace, does not mention any supernatural elements. It was considered daring (and unprecedented in daytime television) when ghosts were introduced about six months after it began. The series became hugely popular when, a year into its run, vampire Barnabas Collins, played by Jonathan Frid, appeared. In addition to vampires, Dark Shadows featured werewolves, ghosts, zombies, man-made monsters, witches, warlocks, time travel, both into the past and into the future, and a parallel universe.

The Saddle Shoes (Aired April 7, 1953)


Based of the Mickey Spillane series, Larry Haines stars as Mike Hammer-the ever entertaining handsome, violent, hard-boiled private eye. Tune in to any exciting episode which would not be complete without the ever beautiful Velda accompanything Mike while he insults some beautiful dame, takes a mysterious phone call, goes wild with reckless driving, and shoots some his gun off to solve the murder case.

Dark Hour (Aired September 25, 1948)


RADIO CITY PLAYHOUSE premiered over NBC on July 3rd, 1949 as a half-hour dramatic program representing a different drama on each broadcast. The dramas chosen, according to NBC, were because they were considered “good drama” regardless of the name of the author, the fame of the play, etc. In many instances, original radio plays were used on the series. Director of production and author of some of the original radio plays was Harry W. Junkin. The cast varied according to the script needs but New York radio actors and actresses were used, some of them experienced and others chosen from the best in radio acting newcomers. The overall production for the series was under the supervision of Richard McDonagh, NBC Script Manager. Musical bridges were by Roy Shields and his Orchestra. The announcer was Robert Warren.

The Color Blind Killer (Aired September 18, 1949)


There were at least 24 episodes broadcast of this series. It was a fascinating detective adventure series based on the books by Leslie Charteris. Edgar Barrier first played Simon Templar, aka The Saint, a debonair private detective in January 1945. He was then played by Brian Aherne in June 1945 and later Vincent Price from July 1947 up until May 1951. The Saint was said to have been like a modern day Robin Hood. He didn’t care for justice and always helped victims hindered by the law’s restrictions.

Salute To The American Farmer (Aired September 9, 1947)


In 1934-36, Berle was heard regularly on The Rudy Vallee Hour, and he got much publicity as a regular on The Gillette Original Community Sing, a Sunday night comedy-variety program broadcast on CBS from September 6, 1936 to August 29, 1937. In 1939, he was the host of Stop Me If You've Heard This One with panelists spontaneously finishing jokes sent in by listeners. Three Ring Time, a comedy-variety show sponsored by Ballantine Ale was followed by a 1943 program sponsored by Campbell's Soups. The audience participation show Let Yourself Go (1944-45) could best be described as slapstick radio with studio audience members acting out long suppressed urges (often directed at host Berle). Kiss and Make Up, on CBS in 1946, featured the problems of contestants decided by a jury from the studio audience with Berle as the Judge. He also made guest appearances on many comedy-variety radio programs during the 1930s and 1940s.

Fifty Candles (Aired July 25, 1944)


Although Molle Mystery Theatre was initially sponsored by Molle Shaving Cream, other sponsors (such as Bayer Aspirin, Ironized Yeast, Phillips Milk of Magnesia) also sponsored the program. Sometimes, when it was not sponsored by Molle, the program was called "Mystery Theater". The show was first heard on NBC, on 9/7/43. Time slot was originally Sunday nights at 9:00 PM, but was later moved to Tuesday at 9:00 PM, and Friday at 10:00 PM. In 1948, the show moved to CBS (Tues, 8:00 PM), and in 1951, it moved to ABC, where it was called "Mark Sabre", and heard on Wednesdays at either 8:00 PM or 9:30 PM. The shows were tight and tension filled, with a fine orchestra score and solid production values. Classic tales from well-known authors, as well as modern unknowns were presented, and the endings were often twists or shockers.

First Show Irma Meets Jane (Aired November 19, 1946)


Some might remember My Friend Irma as the movie that served as the launching pad for Dean Martin and Jerry Lewis. Others recall a television show of the same name. They, actually, originated from a radio show that ran before, and concurrently, to the television show. My Friend Irma tells the story of a extremely dim-witted blonde stenographer named Irma Peterson, played by Marie Wilson, and the daily high-jinx that she gets into with her screwy friends.

Guests Dorothy Lamour Peggy Lee (Aired May 13, 1952)


From the age of twelve, Bob Hope worked at a wide variety of odd jobs at a local board walk. When not doing this he would busk, doing dance and comedy patter to make extra money. He entered many dancing and amateur talent contests, and won prizes for his impersonation of Charlie Chaplin. He also boxed briefly and unsuccessfully under the name Packy East, making it once as far as the semi-finals of the Ohio novice championship. Fallen silent film comedian Fatty Arbuckle saw one of his performances and in 1925 got him steady work with Hurley's Jolly Follies. A year later Hope had formed an act called the Dancemedians with George Burns (who would also live to see his own 100th birthday) and the Hilton Sisters, conjoined twins who had a tap dancing routine. Hope and his partner George Byrne had an act as a pair of Siamese twins as well, and both danced and sang while wearing blackface before friends advised Hope that he was funnier as himself.. After five years on the Vaudeville circuit, by his own account Hope was surprised and humbled when he and his partner Grace Louise Troxell failed a 1930 screen test for Pathé at Culver City, California. (Hope had been on the screen in small parts, 1927's The Sidewalks of New York and 1928's Smiles.

Donovans Brain (Aired February 7, 1948)


Suspense was one of the premier programs of the Golden Age of Radio (aka old-time radio), and advertised itself as "radio's outstanding theater of thrills." It was heard in one form or another from 1942 through 1962. There were approximately 945 episodes broadcast during its long run, over 900 of which are extant in mostly high-quality recordings. Suspense went through several major phases, characterized by different hosts, sponsors and director/producers. There were a few rules which were followed for all but a handful of episodes: Protagonists were usually a normal person suddenly dropped into a threatening or bizarre situation. Evildoers must be punished in the end. The program made only occasional forays into science fiction and fantasy. Among its science fiction entries were "The Man who Went Back to Save Lincoln" (a time travel fantasy), and an adaptation of "Donovan's Brain".

THIS EPISODE:
Suspense. February 7, 1948. CBS net. "Donovan's Brain". Sustaining. The classic tale of the mad scientist and his "brain in the bottle." The story was previously produced on "Suspense," as two half hour programs, on May 18 and May 25, 1944 (see cat. #245 and #61158). John McIntire (doubles), Robert Montgomery (host, performer), William Johnstone, Wally Maher, Jeanette Nolan, Joseph Kearns (announcer, performer), Curt Siodmak (author), Robert L. Richards (adaptor), William Spier (producer, director, editor), Lucien Moraweck (composer), Lud Gluskin (conductor), Burne Surrey (sound effects), Bob Anderson (sound engineer). 61:28.

Dating Advice (Aired October 4, 1945)


The shows had names after the sponsors, such as Maxwell House Coffee Time, or The Ammident Show - it was the Burns