Thumb_logo_white Discover Create Go Pro
Log In / Sign Up
Facebook Twitter Rss
Boxcars711 Old Time Radio Pod
A Feature of W.P.N.M Radio
Category: Kids & Family
Location: Philadelphia, PA.
Followers (190)
Currently following. Unfollow
25x25_186884 Image_nophoto 25x25_2649871 Image_nophoto Image_nophoto 25x25_9043982 25x25_6186222 Image_nophoto 25x25_7347574 Image_nophoto Image_nophoto Image_nophoto Picture?width=25&height=25 Picture?width=25&height=25 25x25-0x0+0+0_8858160 25x25_8508893 25x25_9858668 25x25_5877057 Image_nophoto Image_nophoto
Bob Camardella began podcasting at Podomatic in October 2005 and at the Radio Nostalgia Network at in January 2006...

by Bob Camardella
take it with you
Iphone5s_trans go mobile with PodOmatic's new iPhone app.
don't have an iPhone? no problem »
loading results... Loader
loading results... Loader
No results found.
August 20, 2014 07:01 PM PDT
A Knock At The Door (Aired December 15, 1942)
Lights Out was created in Chicago by writer Wyllis Cooper in 1934, and the first series of shows (each 15 minutes long) ran on a local NBC station, WENR. By April 1934, the series was expanded to a half hour in length and moved to midnight Wednesdays. In January 1935, the show was discontinued in order to ease Cooper's workload (he was then writing scripts for the network's prestigious Immortal Dramas program), but was brought back by huge popular demand a few weeks later. After a successful tryout in New York City, the series was picked up by NBC in April 1935 and broadcast nationally, usually late at night and always on Wednesdays. Cooper stayed on the program until June 1936, when another Chicago writer, Arch Oboler, took over. By the time Cooper left, the series had inspired about 600 fan clubs. THIS EPISODE: December 15, 1942. CBS network. "A Knock At The Door". Sponsored by: Energene Cleaning Fluid. All commercials for Ironized Yeast deleted. A woman murders her impossible mother-in-law, but she refuses to stay dead! There's a good good, grisly conclusion. Arch Oboler (host), Frank Martin (announcer). 28:59. Episode Notes From The Radio Gold Index.

Tell a Friend

August 20, 2014 03:00 PM PDT
Who Killed John Davis (Aired May 12, 1948)
The Boston Blackie radio series, also starring Morris, began June 23, 1944, on NBC as a summer replacement for The Amos 'n' Andy Show. Sponsored by Rinso, the series continued until September 15 of that year. Unlike the concurrent films, Blackie had a steady romantic interest in the radio show: Lesley Woods appeared as Blackie's girlfriend Mary Wesley. Harlow Wilcox was the show's announcer. On April 11, 1945, Richard Kollmar took over the title role in a radio series syndicated by Frederic W. Ziv to Mutual and other network outlets. Over 200 episodes of this series were produced between 1944 and October 25, 1950. Other sponsors included Lifebuoy Soap, Champagne Velvet beer, and R&H beer. Blackie invaribly encountered harebrained Police Inspector Farraday (Maurice Tarplin) and always solved the mystery to Farraday's amazement. Initially, friction surfaced in the relationship between Blackie and Farraday, but as the series continued, Farraday recognized Blackie's talents and requested assistance.

Tell a Friend

August 20, 2014 10:59 AM PDT
The Clara Bryan Murder Case (Aired November 24, 1950)
Beginning with the July 7, 1949 episode, the series was broadcast from Hollywood with producer Elliott Lewis directing a new cast in scripts by Morton Fine and David Friedkin. The opening theme of "I'll Take Manhattan" introduced Detective Danny Clover (now played by Larry Thor), a hardened New York City cop who worked homicide "from Times Square to Columbus Circle -- the gaudiest, the most violent, the lonesomest mile in the world." Danny Clover narrated the tales of the Great White Way to the accompaniment of music by Wilbur Hatch and Alexander Courage, and the recreation of Manhattan's aural tapestry required the talents of three sound effects technicians (David Light, Ralph Cummings, Ross Murray). Bill Anders was the show's announcer. Show Notes From The Old Time Radio Researcher's Group. THIS EPISODE: November 24, 1950. "The Clara Bryan Murder Case" - CBS network origination, AFRTS rebroadcast. Mrs. Clara Bryan is missing. A Bowery bum is stabbed in a flop house. What's the connection? Elliott Lewis (producer, director), Alexander Courage (composer), Larry Thor, Charles Calvert, Jack Kruschen, Lou Merrill, Lillian Buyeff, Byron Kane. 28:50. Episode Notes From The Radio Gold Index.

Tell a Friend

August 20, 2014 07:00 AM PDT
That's A Horse On You (Aired October 2, 1953)
As both Phil and Alice were known singers, there were two musical numbers in each show, and they were always for real, except some of Phil's, which were for laughs. But Phil's band gave much more than music to the show. Frankie Remley was the band's left handed guitar player, with a sardonic sense of humor out of left field. The character was first done on The Jack Benny Show, and, of course, now on a show about the band itself, Frankie was even more obnoxious. Famed radio actor Elliott Lewis played him with relish. In fact, later in the run they actually started calling the character Elliott! (Elliott Lewis changes his name on the show from Frankie Remly to Elliott because Harris stopped leading Jack Benny's band--so he wasn't connected to Remly any more. THIS EPISODE: October 2, 1953. NBC network. Sponsored by: RCA. Phil buys a horse! "A Day At Santa Anita," or "That's A Horse On You." Phil sings, "Dig For Your Dinner." The program was recorded September 19, 1953. Unedited tape. Alice Faye, Anne Whitfield, Bill Forman (announcer), Dick Chevillat (writer), Edward James (writer), Elliott Lewis, Jeanine Roos, John Hubbard, Phil Harris, Ray Singer (writer), Walter Scharf and His Orchestra, Walter Tetley. 34:11. Episode Notes From The Radio Gold Index.

Tell a Friend

August 20, 2014 03:00 AM PDT
Boxcars711 Overnight Western "Frontier Gentleman" - The Trial (Aired April 13, 1958)
Frontier Gentleman was a radio Western series heard on CBS from February 2 to November 16, 1958. Written and directed by Antony Ellis, it followed the adventures of J.B. Kendall (John Dehner), a London Times reporter, as he roamed the Western United States, encountering various outlaws and well-known historical figures, such as Jesse James and Calamity Jane. Written and directed by Antony Ellis, it followed the adventures of journalist Kendall as he roamed the Western United States in search of stories for the Times. Along the way, he encountered various fictional drifters and outlaws in addition to well-known historical figures, such as Jesse James, Calamity Jane and Wild Bill Hickock. THIS EPISODE: April 13, 1958. CBS network. "The Trial". Sustaining. Kendall becomes a backwoods barrister to defend an ex-Indian scout accused of murder. The program is also known as "A Lawyer For McKuen." This is a network version. The program opening is slightly upcut. John Dehner, Antony Ellis (writer, producer, director), Jack Kruschen, Harry Bartell, Joseph Kearns, Will Wright, Jack Moyles, Jeanette Nolan, Vic Perrin, Stacy Harris, Amerigo Moreno (composer, conductor), John Wald (announcer). 24:01. Episode Notes From The Radio Gold Index.

Tell a Friend

August 19, 2014 11:23 PM PDT
Murder By Moonlight (Aired October 29, 1945)
According to Holmes, it was an encounter with the father of one of his classmates that led him to take up detection as a profession and he spent the six years following university working as a consulting detective, before financial difficulties led him to take Watson as a roommate, at which point the narrative of the stories begins. From 1881, Holmes is described as having lodgings at 221B Baker Street, London, from where he runs his private detective agency. 221B is an apartment up seventeen steps, stated in an early manuscript to be at the "upper end" of the road. Until the arrival of Dr. Watson, Holmes works alone, only occasionally employing agents from the city's underclass, including a host of informants and a group of street children he calls the Baker Street Irregulars. THIS EPISODE: October 29, 1945. Mutual network. "Murder By Moonlight". Sponsored by: Petri Wines. Poison strikes Indian nobility aboard a steamship, despite a food taster. The story is also known as "The Ranee Of Cavarati." The story is based on, "The Adventure Of The Mazarin Stone" by Sir Arthur Conan Doyle. Basil Rathbone, Nigel Bruce, Anthony Boucher (writer), Denis Green (writer), Harry Bartell (announcer), Arthur Conan Doyle (author), Edna Best (producer). 28:35. Episode Notes From The Radio Gold Index.

Tell a Friend

August 19, 2014 07:51 PM PDT
The Case Of The Hasty Will (Aired March 2, 1951)
The Adventures of Nero Wolfe were first heard over the New England Network of Westinghouse Radio stations throughout Massachusetts, Maine, New Hampshire, Connecticut and Rhode Island Nero Wolfe languished in popular media for another seven years, until he was reprised over Radio by the old New England Network as The Adventures of Nero Wolfe. Sadly, precious little is known about this first series, other than the dates of its run and its principal actor, J.B. Williams in the role of Nero Wolfe. It was with the series' transition to its first national network that The Adventures of Nero Wolfe was first heard by a national audience. But again, many of the details of this second, Summer 1943 run of 13 episodes--other than its episode titles and its star, famous character actor Santos Ortega in the role of Nero Wolfe--remain a mystery to this day. THIS EPISODE: March 2, 1951. NBC network. "The Case Of The Hasty Will". Sustaining. Nero Wolfe and Archie are paid $1000 to witness the execution of a will. A simple case soon involves a corpse and twin brothers. The story title is tentative. The final promotional announcement and system cue have been deleted. Sydney Greenstreet, John Edison (writer), J. Donald Wilson (producer, director), Harry Bartell, William Johnstone, Don Stanley (announcer), Victor Rodman, Louise Arthur, Hal Gerard, Rex Stout (creator). 29:15. Episode Notes From The Radio Gold Index.

Tell a Friend

August 19, 2014 03:00 PM PDT
The Soft Spot (Aired September 1, 1950)
This revival of Philip Marlowe was more favorably received, probably because of a combination of writing and acting. No one could duplicate the writing of Raymond Chandler, but this group of writers was very good. While Chandler's distinctive similes were largely lacking, the strong dry, sarcastic narration was there, and the way Gerald Mohr delivered the lines had a way of making you forget that they weren't written by Chandler. Mr. Mohr seemed born for the part of the cynical detective. His voice and timing were perfect for the character. In a letter to Gene Levitt, one of the show's writers, Raymond Chandler commented that a voice like Gerald Mohr's at least packed personality; a decided an improvement over his opinion of the original show. By 1949 the show had the largest audience in radio. Show Notes From The Old Time Radio Researcher's Group. THIS EPISODE: September 1, 1950. "The Soft Spot" - CBS network. Sustaining. An old man dead in a flop house, a sot who carves wood, a fallen lady with an eye for gold lockets, and a snake with big ears all lead Marlowe to a soft spot in a killer's hard heart! Bill Bouchey, Edgar Barrier, Gene Levitt (writer), Gerald Mohr, Nestor Paiva, Paul Dubov, Peter Leeds, Raymond Chandler (creator), Richard Aurandt (music), Richard Sanville (director), Robert Mitchell (writer), Roy Rowan (announcer), Verna Felton, Vivi Janis. 28:41. Episode Notes From The Radio Gold Index.

Tell a Friend

August 19, 2014 11:36 AM PDT
The Sad Night (Aired December 19, 1948)
Alan Ladd's early portrayals of Dan Holiday did tend to be a bit pat, somewhat sparse in depth, and even wooden in the beginning. Ladd hired some excellent voice talent for his project, and these superb, veteran Radio professionals set a pretty high bar for Ladd, himself. Box 13 is highly expositional, as are most programs of the genre, and Ladd's grovelly, gritty voice lends itself well to the production. But by Episode #6 it seems apparent that Alan Ladd was beginning to hit his stride in the role. What seems to get in the way for many reviewers of this program is its somewhat implausible premise. Dan Holiday was purportedly a successful fiction writer for the Star-Times news magazine who becomes disenchanted with the utter, mind-numbing routine of it. Dan Holiday opts out. He posts an ad reading "Go anywhere, Do anything, Write Box 13". Show Notes From The Old Time Radio Researcher's Group and The Digital Deli. THIS EPISODE: December 19, 1948. Program #18. Mutual network origination, Mayfair syndication. "The Sad Night". Commercials added locally. A child's copybook is the key to a fortune hidden for centuries, and of a story of death and destruction. The date is approximate. Alan Ladd, Edmond MacDonald, Richard Sanville (director), Rudy Schrager (composer, conductor), Russell Hughes (writer), Sylvia Picker, Vern Carstensen (production supervisor). 26:33. Episode Notes From The Radio Gold Index.

Tell a Friend

August 19, 2014 07:00 AM PDT
The Secret Word Is "Tree" (Aired November 1, 1950)
The play of the game, however, was secondary to the interplay between Groucho, the contestants, and occasionally Fenneman. The program was rerun into the 1970s, and later in syndication as The Best of Groucho. As such, it was the first game show to have its reruns syndicated. The mid-1940s was a depressing lull in Groucho's career. His radio show Blue Ribbon Town, sponsored by Pabst Blue Ribbon beer, which ran from March 1943 to August 1944, had failed to catch on and Groucho left the program in June 1944. After a radio appearance with Bob Hope, in which Marx ad-libbed most of his performance after being forced to stand by in a waiting room for 40 minutes before going on the air, John Guedel, the program's producer, formed an idea for a quiz show and approached Marx about the subject. After initial reluctance by Marx, Guedel was able to convince him to host the program after Marx realized the quiz would be only a backdrop for his contestant interviews, and the storm of ad-libbing that they would elicit.

Tell a Friend

loading more... Loader

take it with you

Iphone_trans Listening to podcasts on your mobile devices is extremely convenient -- and it's what makes the podcasting medium so powerful.

You can take your favorite shows and mixes with you anywhere, but to do so requires some quick and simple steps.

Let's walk you through that process together.
step 1:

Click the "Subscribe With iTunes" link in the page's sidebar:


This will require that you have the iTunes software on your computer.

(You can download iTunes here.)
step 2:

Now that you've subscribed to the podcast on iTunes, the feed will display in your "Podcasts" section on the left navigation bar.

Click there and you'll see the show displayed in the iTunes browser.

You can "get all" to download all available episodes or just individual episodes.
step 3:

Plug your mobile device (iPhone, iPad, iPod) into your computer with the Dock Connector cable, and click the device in iTunes's left navigation bar.


Once you have your device highlighted, click "Podcasts" in the top navigation bar and sync the podcasts you want on your device. Click "apply" and the episodes you have downloaded on your iTunes software will sync with your device.
that's it!

The beauty of this process is that now, every new episode of your subscribed podcasts will automatically sync to your device every time you plug it in and open iTunes. You can now take your favorite shows with you everywhere you go.


share this podcast

Email a friend about this podcast

subscribe to this podcast

Rss-icon RSS
Itunes-icon iTunes