Sam Tolliver (Aired April 23, 1949)
The series is popular among fans for its fast-paced, hard-boiled dialogue and action and witty one-liners. Pat Novak for Hire is set on the San Francisco, California waterfront and depicts the city as a dark, rough place where the main goal is survival. Pat Novak is not a detective by trade. He owns a boat shop on Pier 19 where he rents out boats and does odd jobs to make money. Each episode of the program, particularly the Jack Webb episodes, follows the same basic formula; a foghorn sounds and Novak's footsteps are heard walking down the pier. He then pauses and begins with the line "Sure, I'm Pat Novak . . . for hire". The foghorn repeats and leads to the intro theme, during which Pat gives a monologue about the waterfront and his job renting boats. Jack Webb narrates the story as well as acts in it, as the titular character. Playing the cynic, he throws off lines such as "...about as smart as teaching a cooking class to a group of cannibals". He then introduces the trouble in which he finds himself this week. Typically, a person unknown to Pat asks him to do an unusual or risky job. Pat reluctantly accepts and finds himself in hot water in the form of an unexplained dead body. Police Inspector Hellman (played by Raymond Burr) arrives on the scene and pins the murder on Novak. With only circumstantial evidence to go on, Hellman promises to haul Novak in the next day for the crime. The rapid, staccato dialogue between Webb & Burr is typical of harboiled fiction and is often humorous.

The Camberwell Poison (Aired February 18, 1946)
. According to Holmes, it was an encounter with the father of one of his classmates that led him to take up detection as a profession and he spent the six years following university working as a consulting detective, before financial difficulties led him to take Watson as a roommate, at which point the narrative of the stories begins. From 1881, Holmes is described as having lodgings at 221B Baker Street, London, from where he runs his private detective agency. 221B is an apartment up seventeen steps, stated in an early manuscript to be at the "upper end" of the road. Until the arrival of Dr. Watson, Holmes works alone, only occasionally employing agents from the city's underclass, including a host of informants and a group of street children he calls the Baker Street Irregulars. The Irregulars appear in three stories, "The Sign of the Four", "A Study in Scarlet" and "The Adventure of the Crooked Man". THIS EPISODE: February 18, 1946. Mutual network. "The Camberwell Poison". Sponsored by: Petri Wines. A family of four cousins is certain that cousin Gerald is going to murder them all and keep the inheritance. Cousin Gerald, however, is the one who's found murdered! A good story! The story is based on, "The Five Orange Pips" by Arthur Conan Doyle. Basil Rathbone, Nigel Bruce, Harry Bartell (announcer), Arthur Conan Doyle (author), Dean Fosler (music), Anthony Boucher (writer), Denis Green (writer), Edna Best (producer). 29:28. Episode Notes From The Radio Gold Index.

A Date For Dennis Day (Aired May 2, 1944)
When the AFRN rebroadcast those episodes for U.S. servicemen during World War II, the announcer referred to Duffy's Tavern. Radio's Duffy's Tavern didn't translate well to film or television. Burrows and Matt Brooks collaborated on the screenplay for the 1945 film, Ed Gardner's Duffy's Tavern, in which Archie (with regulars Eddie and Finnegan) was surrounded by a throng of Paramount Pictures stars playing themselves, including Robert Benchley, William Bendix, Eddie Bracken, Bing Crosby, Cass Daley, Brian Donlevy, Paulette Goddard, Betty Hutton, Alan Ladd, Veronica Lake and Dorothy Lamour. The film's plot involves a war-displaced record manufacturer whose staff — those not sent off to war — drown their sorrows at Duffy's on credit, while the company owner tries to find ways around the price controls and war attrition that threaten to put him out of business. The movie was a box-office disappointment. THIS EPISODE: May 2, 1944. Program #50. "A Date For Dennis Day" - Blue network origination, AFRS rebroadcast. Archie tries to get a date for guest Dennis Day. Ed Gardner, Dennis Day, Helen Lynd, Peter Van Steeden and His Orchestra. 30:48. Episode Notes From The Radio Gold Index.

Boxcars711 Overnight Western "Screen Guild Players" - The Ox-Bow Incident (Aired September 18, 1944)
The theatrical society in U.S.A. is termed as Theatre Guild. Founded in New York City in 1918 by Lawrence Langner (1890-1962) and others, the group proposed to produce high-quality, noncommercial plays. Its board of directors shared responsibility for choice of plays, management, and production. After the premiere of George Bernard Shaw’s Heartbreak House in 1920, the Guild became his U.S. agent and staged 15 of his plays. It also produced successful plays by Eugene O’Neill, Maxwell Anderson, and Robert Sherwood and featured actors such as the Lunts and Helen Hayes. It helped develop the American musical by staging Porgy and Bess (1935), Oklahoma! (1943), and Carousel (1945); later also producing the radio series Theatre Guild on the Air (1945-53) and even presented plays on television. THIS EPISODE: September 18, 1944. "The Ox-Bow Incident" - Two drifters are passing through a Western town, when news comes in that a local farmer has been murdered and his cattle stolen. The townspeople, joined by the drifters, form a posse to catch the perpetrators. They find three men in possession of the cattle, and are determined to see justice done on the spot. 29:54. Episode Notes From The Radio Gold Index.

Edge Of Darkness (Aired October 25, 1943)
The Screen Guild Theater was a popular radio anthology series during the Golden Age of Radio broadcast from 1939 until 1952 with leading Hollywood actors performing in adaptations of popular motion pictures such as Going My Way and The Postman Always Rings Twice. The show had a long run, lasting for 14 seasons and 527 episodes. It initially was heard on CBS from January 8, 1939 until June 28, 1948, continuing on NBC from October 7, 1948 until June 29, 1950. It was broadcast on ABC from September 7, 1950 to May 31, 1951 and returned to CBS on March 13, 1952. It aired under several different titles: The Gulf Screen Guild Show, The Gulf Screen Guild Theater, The Lady Esther Screen Guild Theater and The Camel Screen Guild Theater. Actors on the series included Ethel Barrymore, Lionel Barrymore, Ingrid Bergman, Humphrey Bogart, Eddie Cantor, Gary Cooper, Bing Crosby, Bette Davis, Jimmy Durante, Nelson Eddy, Douglas Fairbanks Jr., Clark Gable, Judy Garland, Gene Kelly, Johnny Mercer, Agnes Moorehead, Gregory Peck, Fred Astaire, Frank Sinatra and Dinah Shore. Fees these actors would typically charge were donated to the Motion Picture Relief Fund, in order to support the creation and maintenance of the Motion Picture Country Home for retired actors. The series came to an end on CBS June 29, 1952.

Swindle To Honolulu (Aired June 5, 1947)
The Man Called X was a old-time radio espionage drama series that aired on and off from 1944 through 1951 and sponsored by Frigidaire and later General Motors. Herbert Marshall stars as Ken Thurston, a globe hopping government agent. The show opens with the familiar line "Wherever there is mystery, intrigue, romance, in all the strange and dangerous places of the world, there you will find The Man Called X". Thurston works diligently every week to make the world a safer place by thwarting Cold War enemies and cooling off hotspots of unrest wherever they may be. He is aided/thwarted by his everpresent chiseling "sidekick" Pegon Zeldschmidt, played by Leon Belasco. Marshall, British by birth, starred in films with many of the greatest, especially Detreich in Blonde Venus, Bette Davis in The Virgin Queen, Vincent Price in The Fly, and a great cast in The Razor's Edge, where he portrayed W. Somerset Maugham.The Gordon Jenkins Orchestra supplied the exotic background music. THIS EPISODE: June 5, 1947. "Swindle To Honolulu" - CBS network. Commercials deleted. A land company in Hawaii has been swindling veterans by selling land they don't own. They also frame Ken Thurston for murder! Herbert Marshall, Wendell Niles (nnouncer), Leon Belasco, Jack Johnstone (director), Johnny Green (music), Les Crutchfield (writer). 26:24. Episode Notes From The Radio Gold Index.

The Man In The Door (Aired August 28, 1948)
Jeff Regan, Investigator was one of the three detective shows Jack Webb did before Dragnet (see also Pat Novak For Hire and Johnny Modero: Pier 23). It debuted on CBS in July 1948. Webb played JEFF REGAN, a tough private eye working in a Los Angeles investigation firm run by Anthony J. Lyon. Regan introduced himself on each show "I get ten a day and expenses...they call me the Lyon's Eye." The show was fairly well-plotted, Webb's voice was great, and the supporting cast were skillful. Regan handled rough assignments from Lion, with whom he was not always on good terms. He was tough, tenacious, and had a dry sense of humor. The voice of his boss, Anthony Lion, was Wilms Herbert. The show ended in December 1948 but was resurrected in October 1949 with a new cast; Frank Graham played Regan (later Paul Dubrov was the lead) and Frank Nelson portrayed Lion. This version ran on CBS, sometimes as a West Coast regional, until August 1950. Both versions were 30 minutes, but the day and time slot changed several times. A total of 29 episodes from this series are in trading currency. THIS EPISODE: August 28, 1948. CBS network. "The Man In The Door". Sustaining. A murdered architect is seen alive and well! Jeff looks into a complicated story of murder and embezzlement. Jack Webb, Wilms Herbert, Lou Krugman, Lurene Tuttle, Betty Lou Gerson, Dave Henderson, William Conrad, E. Jack Neuman (writer), Sterling Tracy (producer), Bob Stevenson (announcer), Richard Aurandt (music). 29:46. Episode Notes From The Radio Gold Index.

Special Guest Is Madeleine Carroll (05-01-49)
On July 25, 1946, Jerry began a show business partnership with Dean Martin, an association that would soon skyrocket both to fame. It started when Jerry was performing at the 500 Club in Atlantic City and one of the other entertainers quit suddenly. Lewis, who had worked with Martin at the Glass Hat in New York City, suggested Dean as a replacement. At first they worked separately, but then ad-libbed together, improvising insults and jokes, squirting seltzer water, hurling bunches of celery and exuding general zaniness. In less than eighteen weeks their salaries soared from $250.00 a week to $5,000.00. For ten years Martin and Lewis sandwiched sixteen money making films between nightclub engagements, personal appearances, recording sessions, radio shows, and television bookings. Their last film together was "Hollywood or Bust" (1956). On July 25th of that year the two made their last nightclub appearance together at the Copacabana, exactly ten years to the day since they became a team. THIS EPISODE: May 1, 1949. NBC network. Sustaining. Dean's first tune is, "She's A Sunflower From The Sunflower State." Dean, Jerry and "Guest Madeleine Carroll" are featured in a skit about what happens in Spring when boy meets girl. Dick Stabile and His Orchestra, Flo McMichaels, Madeleine Carroll, Ed Herlihy (announcer), Robert L. Redd (producer, director), Chet Castellaw (writer), Norman Sullivan (writer), Dick McKnight, Ray Allen (writer), Dean Martin, Jerry Lewis. 28:50. Episode Notes From The Radio Gold Index.

The Nameless (1939) *The Exact Date Is Unknown.
The Hermit's cave Ghost stories ... weird stories ... of murder, too ... the Hermit knows them all. Horror stories with Mel Johnson and howling wolves in the background, obliterating some of the introduction. This syndicated show was one of the treats for the kiddies, cuddled up to their hollow-state radio sets to keep warm in Detroit, between 1940 and 1944. The show was also heard in Beverly Hills, CA in 1943-1944, a radio horror anthology series, syndicated by WJR Detroit in the mid-1930s, sponsored by Olga Coal after the first two years. As the wind howled, the ancient Hermit narrated his horror fantasies from his cave. The cackling character of the Hermit was played by John Kent, Charles Penman, Toby Grimmer, and Klock Ryder. William Conrad produced when the show moved to KMPC Los Angeles with Mel Johnson as the Hermit (1940-42), followed by John Dehner (1942-44). Show Notes From The Old Time Radio Researcher's Group and The Digital Deli. THIS EPISODE: 1939. World syndication. "The Nameless". Sponsored by: Commercials deleted or added locally. A hard working businessman has become a millionaire in just three years. He achieved this by killing his partner, the inventor of the automobile air conditioner that had made him rich. The dead partner, now known in the morgue as "John Doe #9," returns to visit his old partner. 24:21. Episode Notes From The Radio Gold Index.

The Waxwork (Aired October 13, 1973)
Recorded in every corner of the world when first broadcast over the BBC's World Service, The Price of Fear soon became one of the most widely recorded offerings of its era. As with most BBC productions, the acting talent and production values were excellent throughout. The stories dramatized in the series are from some of the supernatural fiction world's finest authors. William Ingram was responsible for almost half of the stories and scripts, backed up the works of Bram Stoker, Roald Dahl, Robert Arthur, Rene Basilico, Stanley Ellin, and R. Chetwynd-Hayes. John Dyas produced and directed all three series over the ten year period. Host Vincent Price, already long since recognized throughout the world as the reigning Master of The Macabre, virtually ensured that the series would be heard. True to his legend, Price's imprimatur on the series provided a voice as chilling and familiar to World Service listeners as that of their own Christopher Lee and Peter Cushing. The Price of Fear has been an international favorite ever since it's first airing. Show Notes From The Digital Deli. THIS EPISODE: October 13, 1973. Program #7. BBC. "The Waxwork". A writer spends the night in a room filled with waxworks. Well, he tries to spend the night. Vincent Price (host, narrator, performer), John Dyas (director), Joan Cooper, Barry Campbell (adaptor), A. M. Burrage (writer), Peter Barkweth, Cyril Schaps, Christopher Bidmeade. 30:04. Episode Notes From The Radio Gold Index.